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Lina Bo Bardi shifted these two concurrent paradigms towards a Cartesian and abstract display of all timelines and traditions at once in her seminal display project for the MASP in Sao Paulo.Beyond periodization and connection, every artwork becomes a point on a grid, defining an information matrix where artworks became indexical.If this space seems responsive to contemporary epistemological transformations, the curatorial apparatus that inhabits it should also be able to co-evolve.If the presentation of artifacts from different disciplines is already new and interesting, it seems that the way the museum curatorial departments interact and cooperate should also change to take full advantage of the exhibition architecture.The oldest and most important institution of this kind is the museum: in Hellenic Egypt, the (300BC) was dedicated to the interdisciplinary production and archiving of creative labor and the housing and support of the production of life forms.
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As public museums’ role fluctuates from independent to cooperative with the art market, radical changes in how knowledge and artworks are presented are perhaps one of the few ways to maintain agency in a cultural landscape dominated by marketing and alchemic value creation.
One recent example of such effort is the BASE project at Stedelijk Museum in Amsterdam.
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Discovery settings allow other users to find you if desired and set a few preferences regarding who you see. You can also choose to swipe right (to like them), left (to pass), or up if you want to use one of your precious “super likes” to show them you really like them.